Eventually, in Japan many different variations of the art (Jiu-Jitsu) took shape, including Karate, Aikido, and Judo. But these arts were missing essential pieces of what the complete art of Jiu-Jitsu originally held. Soon the day of the Samurai came to an end, the gun replaced the sword, and new sportive ways to practice martial arts were developed. This lack of reality created years of confusion in the martial arts community, a confusion that legendary Bruce Lee would later refer to as the ‘classical mess’. The ‘sport arts’, such as Judo and Kendo were wonderful in the way of offering their practitioners a safe way to realistically train the techniques of their system, but often limited their practitioners with too many rules to maintain effectiveness as a combative style. The more traditional combat schools were simply practicing techniques no longer suitable for modern day combat, and with no way to safely test them, practicing these arts became like swimming without water. It wasn’t until the sport art of Judo and the combat art of Jiu-Jitsu were introduced to the Gracie family in Brazil that the real art of Jiu-Jitsu would be brought to life again. Japanese Jiu-Jitsu (practiced as Judo) was introduced to the Gracie family in Brazil (@ 1915) by Esai Maeda, who is also known as Conde Koma. This name came about when Maeda was in Spain (1908). While in Spain, Maeda, having some financial troubles, used the Japanese verb “komaru”, meaning to be in trouble, to describe himself. Maeda decided this didn’t sound right, so he dropped the last syllable and changed it to “koma.” The word “conde” comes from the Spanish language, meaning “Count.” Later in his life, Maeda would be given the Brazilian title of “Conte Comte,” or Count Combat.
Maeda was a champion of Judo and a direct student of its founder, Jigoro Kano, at the Kodokan in Japan. He was born in 1878, and became a student of Judo in 1897. In 1904 Maeda was given the opportunity to travel to the United States with one of his teachers, Tsunejiro Tomita. While in the U.S. they demonstrated the art of Judo for Theodore Roosevelt at the White House, and for cadets at the West Point Military Academy. This is an exert from Roosevelt’s letters to his children on wrestling and Jiu-Jitsu (note the spelling is Jiu-Jitsu, not Jujutsu due to the fact that it is before 1950.
Maeda eventually parted ways with Tomita, and settled in Brazil. Maeda was staying in Sao Palo City to help establish a Japanese Immigration colony. At this time Brazil held the largest population of Japanese people outside Japan. He was aided in Brazil by Gastao Gracie, a Brazilian of Scottish decent, who’s first experience with Jiu-Jitsu was most likely through managing an Italian boxer named Alfredi Leconti, who fought a friend of Maeda in November of 1916.
Brazilian Jiu-Jitsu in Japan
For some time in Japan, Judo and Jiu-Jitsu were almost synonymous. Judo was known as Kano’s Jiu-Jitsu. Regardless, this answers the question, “why do they call it Brazilian Jiu-Jitsu and not Brazilian Judo?” Because they were essentially the same thing at the time, remember, the Gracie familBy was learning Jiu-Jitsu and Judo while Kano was still struggling to show the difference between the two and popularize his art. In the early 1900’s there was very little difference between the two. In fact, Judo was merely a collection of Jiu-Jitsu styles, whose strongest points were put together to make what then became Judo. The Gracie family was introduced to Judo at a time when the Kodokan had recently suffered a great defeat to the grappling style of the Fusen Ryu. This can be compared to the Ultimate Fighting Championship of the early 1990’s, when most martial artists were attempting to fight Royce Gracie standing. They would all eventually find themselves on the ground, where they were at a loss as to what to do. Consequently, grappling became very popular over the next ten years and many styles began to incorporate grappling techniques into their curriculum. Royce Gracie was simply doing what had already been done in the early 1900’s by the Fusen Ryu to Judo practitioners of the Kodokan, so we can easily draw the conclusion from the experience in our own time that when Meada arrived in Brazil, he was a student of a Kodokan that was adding “new” grappling techniques to its system.
To show gratitude to Gracie for his help in the colonization, Maeda taught Gastao’s son Carlos the basic techniques of Jiu-Jitsu. Carlos Gracie then taught his brothers Oswaldo, Jorge, Gastao, and Helio. In 1925 the brothers opened their first school, and Jiu-Jitsu was cultivated into a more effective martial art and sport known as Brazilian Jiu-Jitsu. What made this version of Jiu-Jitsu more effective was the constant exposure of its practitioners to real situations. Between their own schools, Brazilian Jiu-Jitsu players would compete in a sportive way to keep the techniques of their art sharp. The Gracie family would issue a challenge to all others to fight without rules. In these no rules or ‘vale tudo’ fights, the Gracie family and their students would evaluate the techniques of their fighting art.
Brazilian Jiu-Jitsu for Years.
Through the last fifty years, many Brazilian Jiu-Jitsu schools have opened and broken away from the original members of the Gracie family, making subtle differences in styles within Brazilian Jiu-Jitsu. Gracie Jiu-Jitsu, Machado Jiu-Jitsu, and Brazilian Jiu-Jitsu are all different schools of the same art. The Gracie family itself has hundreds of members who do not all associate with one another.
The formal teaching of Jiu-Jitsu to Brazilians by the Gracie family began in 1940 when Helio opened an academy in Rio. Over the next 18 years, if you wanted to learn Jiu-Jitsu from the Gracie family in Brazil, you had a choice of four academies, all of which were located in Rio. The Gracie’s were not the only one’s teaching Judo and Jiu-Jitsu in Brazil, but they were certainly the most popular, teaching over 2000 students in that 18 year period. A good example of this is Mehdi, a Judo master who came to Brazil from France in 1949, and still teaches there now. There have been Judo schools in Brazil since the early 1900’s and Sao Paulo still has a very large Japanese population. Mehdi’s list of students include Brazilian Jiu-Jitsu Black Belts Mario Sperry, Rickson Gracie, and Sylvio Behring, just to name a few. This is another example of Judo’s influence on Brazilian Jiu-Jitsu and that Helio Gracie did not invent it. The Gracie family developed the art of Judo into a more effective rules-free style. While in Brazil, I learned about a Grand Master named “Fadda,” who learned Jiu-Jitsu from a man named Luis Franca. Like Carlos Gracie, Franca also learned Jiu-Jitsu (Judo) from Meada. Fadda took the Jiu-Jitsu he learned from Franca and started his own school of Jiu-Jitsu in Brazil. His popularity is not as great as the Gracie family, but nonetheless, he is an example of Brazilian Jiu-Jitsu being refined and practiced outside the Gracie family. His students compete in Brazilian Jiu-Jitsu tournaments and consider their art separate from both Gracie Jiu-Jitsu and the older styles of Jiu-Jitsu in Japan. This stands as evidence that Brazilian Jiu-Jitsu and Gracie Jiu-Jitsu is not the same thing.
In 1967, the first federation of Brazilian Jiu-Jitsu was created by Helio Gracie, and the system of belts as we know it was developed (white, blue, purple, brown, and black). Around the time the Carlson Gracie team was born in the early 1970’s, the Gracie family made their first split. Carlson Gracie was the son of Carlos and a very reputable Vale Tudo fighter. He claimed many victories while defending the Gracie family name, including avenging one of Helio’s very few losses. There were now two sides of the Gracie Jiu-Jitsu Family, students under Helio and students under Carlson. Helio’s side would argue that Carlson’s style of Jiu-Jitsu involved too much strength and that it was Helio who developed the technique further due to the fact that he was much smaller than his brother Carlos, who taught it to him. The fact remains that it is basically the same Jiu-Jitsu with a few natural variations in teaching methods in the actual application of techniques. Robson Gracie created a new federation in 1988 and Carlos Gracie Jr. created the Confederacao Brasiliera in 1993. Carlos Jr.’s federation is the most active one worldwide and is responsible for the development of the World Championships. The idea of the Mundial (World’s) is to attract foreign competitors in hopes of making Brazilian Jiu-Jitsu an Olympic sport. This was all done around the time Royce was winning the first UFC (early 1990’s) and giving America its first prominent taste of Brazilian Jiu-Jitsu. Members of the Gracie family are not the only ones to operate federations and associations of Brazilian Jiu-Jitsu who may organize tournaments or give rank within the art.
But no matter where you live or what style of Jiu-Jitsu you practice, we all owe some degree of respect to the Gracie Family for introducing us to Brazilian Jiu-Jitsu. The Gracie family is responsible for a large part of the modern advancement or improvement of Jiu-Jitsu. The term Gracie Jiu-Jitsu is used to describe the difference between the ‘old’ Jiu-Jitsu (jujutsu/Jiu-Jitsu), and the Gracie family’s advancement of the art through the 1900’s. Now that ‘Gracie Jiu-Jitsu’ has spread all over Brazil and to the United States, many champions of the art are being born that are not Gracie Family members. These champions are contributing to the art’s progression by improving on techniques and developing new ones. The bulk of basic movements may still be Gracie Jiu-Jitsu, but as the art develops, the term ‘Brazilian Jiu-Jitsu’ becomes more appropriate. As more and more innovators contribute to the art outside of Brazil, it eventually may be appropriate to simply call the art ‘Jiu-Jitsu’.
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